• DaVinci Resolve Studio Mac v14.2.1 - 701 Mo
• DaVinci Resolve Studio Win v14.2.1 - 673,6 Mo
• Guide Utilisateur DaVinci Resolve 14 du 7 septembre 2017 - 38,8 Mo
• Guide de configuration DaVinci Resolve 14 Mac/PC/Linux - 3,2 Mo
Cette mise à jour logicielle intègre plus de 50 correctifs et améliorations de stabilité et performance et elle est recommandée pour tous les utilisateurs de DaVinci Resolve 14 Studio.
DaVinci Resolve 14.2.1 Studio offre de bien meilleures performances sur la page Edit lors de la génération des vignettes, une gestion correcte des sorties audio 5.1 et 7.1 pour les fichiers .WAV, un témoin de progression plus fiable lors de la création des média optimisés, plus d'une douzaine d'améliorations sur la page Audio Fairlight, une meilleure performance pour le visionnage en multicam, la possbilité de modifier les propriétés sur une sélection de clips en même temps, de nouveaux indicateurs de tracking pour le mode d'image dans les Power Windows, une amélioration de la stabilité lors des rendus CineForm et H.264, un encodage ProRes plus rapide, un décodage XAVC-I plus rapide.
Elle est recommandée pour tous les utilisateurs de DaVinci Resolve 14 Studio. Cette version nécessite un dongle DaVinci Resolve ou un code d’activation logiciel.
Nouveautés de DaVinci Studio 14.2.1
- Addressed an issue where playing frame-based clips in the Media page would not play the synced audio
- Addressed an issue where Resolve would sometimes not output audio on certain pages in macOS
- Addressed an issue where audio formats for stereo, 5.1 and 7.1 were not set correctly when rendering WAV files
- Addressed an issue where rendered adaptive tracks were incorrectly tagged as stereo, 5.1 or 7.1 formats
- Addressed an issue where changing clip audio properties in the Inspector would not work correctly when multiple clips were selected
- Addressed an issue where deleting a volume keyframe and performing an undo would not restore the smoothening applied
- Addressed an issue where the source meters would sometimes not reflect the correct number of channels for clips with audio
- Addressed an issue where the Fairlight viewers would show a still image during playback when monitoring with a Blackmagic Design capture and playback device
- Addressed an issue where render jobs could not be added for audio only timelines
- Addressed an issue where rendered media files would sometimes have blank audio on the first video frame
- Addressed an issue with marking render ranges when rendering an audio-only timeline on the Delivery page
- Addressed a crash when adding a marker to a clip with cross-fades
- Addressed an issue where moving an audio clip on the Fairlight page would sometimes result in a crash
- Addressed an issue where the metadata widget would remain blank when clips were selected on the Fairlight page
- Addressed an issue where audio FX applied on clips inside a nested timeline would sometimes not get saved
- Addressed an issue where deleting an audio clip in a layered track and performing an undo would restore it in an incorrect layer
- Addressed an issue where resetting audio properties in the Inspector would not fully reset the clip equalizer
- Clips dragged on to the timeline no longer update the position of the playhead
- Addressed an issue where viewers would become blank when Video Scopes were enabled in Edit page
- Addressed a crash when decomposing compound clips from certain timelines imported using XML or AAF
- Addressed an issue where reimporting EDLs exported from Resolve would cause a crash
- Addressed an issue where performing an undo on a take selector action would sometimes result in a failure to save the project
- Clip names stored in EDL comments are also available as a render tag
- Power Windows with tracking now also have an indicator on the viewer overlay to show when they are in frame mode
- Addressed an issue where reconforming to a clip at a different source resolution would result in misaligned power windows in some cases
- Addressed support for DCDM ACES Output Transform with gamut clipped to P3 per SMPTE spec
- Addressed an issue where stills grabbed on a project migrated from Resolve 12.5 project would not be saved
- Addressed an issue where loading gallery stills would sometimes take a long time
- Addressed an issue where some stills would show a black frame when wiping
- Addressed an issue where node cache would sometimes incorrectly be invalidated when rippling color parameters
- Addressed an issue where the Dolby Vision CMU would be in pass-through mode until the trim metadata was modified
- Addressed an issue where qualifier controls remained editable when disabled
- Addressed an issue where Intel graphics hardware would not be recognized as OpenCL compatible with the latest drivers on Windows
- Addressed an issue where the Generate Optimized Media progress dialog would sometimes disappear before the operation completed
- Addressed an issue where performing a Save As after a failure to save a project would sometimes result in the original project disappearing
- Addressed an issue where selecting multiple titles in certain timelines would result in a crash
- Addressed an issue where deleting timelines in some projects would result in a crash
- Addressed an issue where Blackmagic Design Capture and Playback devices would not be detected on older drivers on Windows
- Addressed a crash when enabling 4:4:4 SDI monitoring with certain Blackmagic Design capture and playback devices
- Addressed an issue where viewers would become blank when enabling Data Burn Ins and monitoring with a Blackmagic Design capture and playback device
- Addressed an issue with network connectivity on the JLCooper Eclipse panel
- Addressed an issue where changing the source folder or relinking clips in the Media Pool would not affect the associated matte clips unless they were explicitly selected
- Addressed a crash when rendering to Cineform at certain resolutions such as 2K DCI Flat
- Addressed a crash when decoding some H.264 clips
- Addressed an issue where colorspace metadata was exported incorrectly when rendering MXF clips
- Addressed an issue with default brightness levels when decoding RAW formats from some still cameras
- Addressed a crash with decoding some high resolution XAVC clips on certain system configurations
- Addressed inability to render multiple mono audio tracks to the MXF OpAtom container
- Improved encoding speeds when rendering to Apple QuickTime ProRes
- Improved decoding speeds with XAVC-I media
- Addressed performance degradation when using CUDA compatible OpenFX plugins
- Addressed an issue where Edit page playback response would be delayed during thumbnail generation
- Addressed an issue with viewer performance on multicam clips on certain system configurations
- General performance and stability improvements
- Améliorations générales des performances et de la stabilité
Configuration minimale requise pour Mac
- macOS 10.12.6 Sierra
- 16 Go de mémoire vive recommandée
- Blackmagic Design Desktop Video version 10.4.1 ou supérieur
- CUDA Driver version 8.0.63
- NVIDIA Driver en fonction des GPU utilisés
- RED ROCKET-X Driver version 2.1.34.0 et Firmware version 1.4.22.18 ou supérieur
- RED ROCKET Driver version 2.1.23.0 et Firmware version 1.1.18.0 ou supérieur
Configuration minimale requise pour Windows
- Windows 10 Pro 64 bits
- 16 Go de mémoire vive recommandée
- Blackmagic Design Desktop Video version 10.4.1 ou supérieur
- Drivers NVIDIA/AMD – En fonction des GPU utilisés
- RED ROCKET-X Driver version 2.1.34.0 et Firmware version 1.4.22.18 ou supérieur
- RED ROCKET Driver version 2.1.23.0 et Firmware version 1.1.18.0 ou supérieur
Configuration minimale requise pour Linux
- CentOS 6.8
- 32 Go de mémoire vive recommandée (16 Go étant le minimum supporté)
- Blackmagic Design Desktop Video version 10.4.1 ou supérieur
- NVIDIA/AMD Drivers - En fonction des GPU utilisés
- RED ROCKET-X Driver version 2.1.34.0 et Firmware version 1.4.22.18 ou supérieur
- RED ROCKET Driver version 2.1.23.0 et Firmware version 1.1.18.0 ou supérieur
Mise à niveau du serveur de base de données PostgreSQL sur Mac
Jusqu'à DaVinci Resolve 12.5.2, le programme d'installation Mac comprenait PostgreSQL version 8.4.2. A partir de macOS Sierra 10.12, PostgreSQL version 8.4 n'est plus pris en charge. Si vous avez prévu d'installer cette dernière version de système, il sera nécessaire de mettre à jour le serveur PostgreSQL en version 9.5.4 avant de mettre à jour macOS. Une fois que votre installation PostgreSQL a été actualisée et vos données mises à jour, vous pouvez enchainer avec la mise à jour de macOS.
Afin de faciliter la mise à niveau de PostgreSQL sur votre Mac, Blackmagic fournit des applications qui peuvent être téléchargés ici:
/Library/Application Support/Blackmagic Design/DaVinci Resolve/Upgrade PostgreSQL folder
A partir de DaVinci Resolve 12.5.3, les nouvelles installations incluent PostgreSQL version 9.5.4.
Installation du logiciel DaVinci
Il suffit de double cliquer sur l'icône DaVinci Resolve Installer puis de suivre les instructions qui vous sont présentées à l'écran. Redémarrez l'ordinateur après installation.
Afin de supprimer DaVinci Resolve de votre configuration, double-clic sur l'icône 'Uninstall Resolve' à partir du dossier DaVinci Resolve dans le dossier Applications.
Informations complémentaires
Consultez www.blackmagic-design.com pour obtenir des informations complémentaires sur les différentes configurations certifées.
• DaVinci Resolve Studio Win v14.2.1 - 673,6 Mo
• Guide Utilisateur DaVinci Resolve 14 du 7 septembre 2017 - 38,8 Mo
• Guide de configuration DaVinci Resolve 14 Mac/PC/Linux - 3,2 Mo
Cette mise à jour logicielle intègre plus de 50 correctifs et améliorations de stabilité et performance et elle est recommandée pour tous les utilisateurs de DaVinci Resolve 14 Studio.
DaVinci Resolve 14.2.1 Studio offre de bien meilleures performances sur la page Edit lors de la génération des vignettes, une gestion correcte des sorties audio 5.1 et 7.1 pour les fichiers .WAV, un témoin de progression plus fiable lors de la création des média optimisés, plus d'une douzaine d'améliorations sur la page Audio Fairlight, une meilleure performance pour le visionnage en multicam, la possbilité de modifier les propriétés sur une sélection de clips en même temps, de nouveaux indicateurs de tracking pour le mode d'image dans les Power Windows, une amélioration de la stabilité lors des rendus CineForm et H.264, un encodage ProRes plus rapide, un décodage XAVC-I plus rapide.
Elle est recommandée pour tous les utilisateurs de DaVinci Resolve 14 Studio. Cette version nécessite un dongle DaVinci Resolve ou un code d’activation logiciel.
Nouveautés de DaVinci Studio 14.2.1
- Addressed an issue where playing frame-based clips in the Media page would not play the synced audio
- Addressed an issue where Resolve would sometimes not output audio on certain pages in macOS
- Addressed an issue where audio formats for stereo, 5.1 and 7.1 were not set correctly when rendering WAV files
- Addressed an issue where rendered adaptive tracks were incorrectly tagged as stereo, 5.1 or 7.1 formats
- Addressed an issue where changing clip audio properties in the Inspector would not work correctly when multiple clips were selected
- Addressed an issue where deleting a volume keyframe and performing an undo would not restore the smoothening applied
- Addressed an issue where the source meters would sometimes not reflect the correct number of channels for clips with audio
- Addressed an issue where the Fairlight viewers would show a still image during playback when monitoring with a Blackmagic Design capture and playback device
- Addressed an issue where render jobs could not be added for audio only timelines
- Addressed an issue where rendered media files would sometimes have blank audio on the first video frame
- Addressed an issue with marking render ranges when rendering an audio-only timeline on the Delivery page
- Addressed a crash when adding a marker to a clip with cross-fades
- Addressed an issue where moving an audio clip on the Fairlight page would sometimes result in a crash
- Addressed an issue where the metadata widget would remain blank when clips were selected on the Fairlight page
- Addressed an issue where audio FX applied on clips inside a nested timeline would sometimes not get saved
- Addressed an issue where deleting an audio clip in a layered track and performing an undo would restore it in an incorrect layer
- Addressed an issue where resetting audio properties in the Inspector would not fully reset the clip equalizer
- Clips dragged on to the timeline no longer update the position of the playhead
- Addressed an issue where viewers would become blank when Video Scopes were enabled in Edit page
- Addressed a crash when decomposing compound clips from certain timelines imported using XML or AAF
- Addressed an issue where reimporting EDLs exported from Resolve would cause a crash
- Addressed an issue where performing an undo on a take selector action would sometimes result in a failure to save the project
- Clip names stored in EDL comments are also available as a render tag
- Power Windows with tracking now also have an indicator on the viewer overlay to show when they are in frame mode
- Addressed an issue where reconforming to a clip at a different source resolution would result in misaligned power windows in some cases
- Addressed support for DCDM ACES Output Transform with gamut clipped to P3 per SMPTE spec
- Addressed an issue where stills grabbed on a project migrated from Resolve 12.5 project would not be saved
- Addressed an issue where loading gallery stills would sometimes take a long time
- Addressed an issue where some stills would show a black frame when wiping
- Addressed an issue where node cache would sometimes incorrectly be invalidated when rippling color parameters
- Addressed an issue where the Dolby Vision CMU would be in pass-through mode until the trim metadata was modified
- Addressed an issue where qualifier controls remained editable when disabled
- Addressed an issue where Intel graphics hardware would not be recognized as OpenCL compatible with the latest drivers on Windows
- Addressed an issue where the Generate Optimized Media progress dialog would sometimes disappear before the operation completed
- Addressed an issue where performing a Save As after a failure to save a project would sometimes result in the original project disappearing
- Addressed an issue where selecting multiple titles in certain timelines would result in a crash
- Addressed an issue where deleting timelines in some projects would result in a crash
- Addressed an issue where Blackmagic Design Capture and Playback devices would not be detected on older drivers on Windows
- Addressed a crash when enabling 4:4:4 SDI monitoring with certain Blackmagic Design capture and playback devices
- Addressed an issue where viewers would become blank when enabling Data Burn Ins and monitoring with a Blackmagic Design capture and playback device
- Addressed an issue with network connectivity on the JLCooper Eclipse panel
- Addressed an issue where changing the source folder or relinking clips in the Media Pool would not affect the associated matte clips unless they were explicitly selected
- Addressed a crash when rendering to Cineform at certain resolutions such as 2K DCI Flat
- Addressed a crash when decoding some H.264 clips
- Addressed an issue where colorspace metadata was exported incorrectly when rendering MXF clips
- Addressed an issue with default brightness levels when decoding RAW formats from some still cameras
- Addressed a crash with decoding some high resolution XAVC clips on certain system configurations
- Addressed inability to render multiple mono audio tracks to the MXF OpAtom container
- Improved encoding speeds when rendering to Apple QuickTime ProRes
- Improved decoding speeds with XAVC-I media
- Addressed performance degradation when using CUDA compatible OpenFX plugins
- Addressed an issue where Edit page playback response would be delayed during thumbnail generation
- Addressed an issue with viewer performance on multicam clips on certain system configurations
- General performance and stability improvements
- Améliorations générales des performances et de la stabilité
Configuration minimale requise pour Mac
- macOS 10.12.6 Sierra
- 16 Go de mémoire vive recommandée
- Blackmagic Design Desktop Video version 10.4.1 ou supérieur
- CUDA Driver version 8.0.63
- NVIDIA Driver en fonction des GPU utilisés
- RED ROCKET-X Driver version 2.1.34.0 et Firmware version 1.4.22.18 ou supérieur
- RED ROCKET Driver version 2.1.23.0 et Firmware version 1.1.18.0 ou supérieur
Configuration minimale requise pour Windows
- Windows 10 Pro 64 bits
- 16 Go de mémoire vive recommandée
- Blackmagic Design Desktop Video version 10.4.1 ou supérieur
- Drivers NVIDIA/AMD – En fonction des GPU utilisés
- RED ROCKET-X Driver version 2.1.34.0 et Firmware version 1.4.22.18 ou supérieur
- RED ROCKET Driver version 2.1.23.0 et Firmware version 1.1.18.0 ou supérieur
Configuration minimale requise pour Linux
- CentOS 6.8
- 32 Go de mémoire vive recommandée (16 Go étant le minimum supporté)
- Blackmagic Design Desktop Video version 10.4.1 ou supérieur
- NVIDIA/AMD Drivers - En fonction des GPU utilisés
- RED ROCKET-X Driver version 2.1.34.0 et Firmware version 1.4.22.18 ou supérieur
- RED ROCKET Driver version 2.1.23.0 et Firmware version 1.1.18.0 ou supérieur
Mise à niveau du serveur de base de données PostgreSQL sur Mac
Jusqu'à DaVinci Resolve 12.5.2, le programme d'installation Mac comprenait PostgreSQL version 8.4.2. A partir de macOS Sierra 10.12, PostgreSQL version 8.4 n'est plus pris en charge. Si vous avez prévu d'installer cette dernière version de système, il sera nécessaire de mettre à jour le serveur PostgreSQL en version 9.5.4 avant de mettre à jour macOS. Une fois que votre installation PostgreSQL a été actualisée et vos données mises à jour, vous pouvez enchainer avec la mise à jour de macOS.
Afin de faciliter la mise à niveau de PostgreSQL sur votre Mac, Blackmagic fournit des applications qui peuvent être téléchargés ici:
/Library/Application Support/Blackmagic Design/DaVinci Resolve/Upgrade PostgreSQL folder
A partir de DaVinci Resolve 12.5.3, les nouvelles installations incluent PostgreSQL version 9.5.4.
Installation du logiciel DaVinci
Il suffit de double cliquer sur l'icône DaVinci Resolve Installer puis de suivre les instructions qui vous sont présentées à l'écran. Redémarrez l'ordinateur après installation.
Afin de supprimer DaVinci Resolve de votre configuration, double-clic sur l'icône 'Uninstall Resolve' à partir du dossier DaVinci Resolve dans le dossier Applications.
Informations complémentaires
Consultez www.blackmagic-design.com pour obtenir des informations complémentaires sur les différentes configurations certifées.
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Download DaVinci Resolve Studio 14.1 for WindowsOriginally designed for Hollywood’s elite colorists, DaVinci Resolve has been used on more feature films and TV shows than anything else because it lets you create images that are simply impossible with other tools. DaVinci is also the world’s fastest. Davinci Resolve Studio 14.2 Win / 14.1.1 macOS. Apple motion tnt. Davinci Resolve is a professional and professional software for editing video files focusing on color correction. The first step in the first step is a full-featured multi-select editor that meets all editorial editing needs.
Davinci Resolve Official Site
Yes, DaVinci Resolve Studio Comes with a Lifetime License. For example, Red Giant Magic Bullet Looks, Film and Cosmo II will all run in the Resolve Studio 14 and later, but it will not work with any version of DaVinci Resolve from the Mac App Store. DaVinci Resolve Studio 14.1.1 – Professional color correction. Uctox 2 5 6 – full featured invoicing applications. November 27, 2017 DaVinci Resolve Studio is the color corrector standard in post production since 1984.
Davinci Resolve 16 Free Templates
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Davinci Resolve Download
Blackmagic Design DaVinci Resolve Studio 14.2.1
Originally designed for Hollywood’s elite colorists, DaVinci Resolve has been used on more feature films and TV shows than anything else because it lets you create images that are simply impossible with other tools. DaVinci is also the world’s fastest growing and most advanced editing software! Now, with DaVinci Resolve 14, you get incredible new Fairlight audio tools specifically designed for film and television post production.
It’s like getting 3 high end applications in one! All it takes is a single click to switch between editing, color correcting, audio mastering and delivery! Best of all, if you’re collaborating on a team, you can all work on the same project at the same time! DaVinci Resolve 14 is a revolution in post production! Download it for free and try it today!
What's New!
Incredible speed, professional Fairlight audio, revolutionary collaboration and more!
DaVinci Resolve 14 has hundreds of new features for editors, colorists and now, for the first time, audio professionals. The new playback engine dramatically increases responsiveness with up to 10x better performance for editors. You also get a whole new page with the full Fairlight audio post production tools that let you record, edit, mix, sweeten and master sound with full 3D audio space and up to 1000 channels.
Colorists will find amazing new Resolve FX that include automatic facial recognition and tracking for quickly smoothing skin tones, brightening eyes, changing lip color and more! Plus, DaVinci Resolve 14 features revolutionary new multi user collaboration tools such as bin locking, chat and timeline merging that allow editors, colorists, and sound editors to all work on the same project at the same time! All these new features make DaVinci Resolve 14 the world’s most advanced post production software!
Professional Editing
DaVinci Resolve includes virtually every imaginable editing and trimming tool available, making it perfect for both creative and online editing! The new high performance playback engine, which is up to 10x faster, makes playback instantaneous and trimming more responsive than ever, even for processor intensive formats such as H.264 and RAW.
Color Correction
DaVinci Resolve has been used on more feature films and television shows than any other grading system! You get the industry’s most powerful primary and secondary correction tools, advanced curve editor, tracking and stabilization, noise reduction and grain tools, Resolve FX and more.
Fairlight Audio
New professional tools for audio post production! DaVinci Resolve now includes fully featured Fairlight audio in the same software you use for editing and color correction! You get high end mixing for up to 1,000 channels in real time, plus support for massive Fairlight audio consoles. It’s a true end to end workflow that supports recording and ADR, sound editing, sound effects, sweetening and mixing. You can even mix down and master to multiple formats, including 3D audio space formats such as 5.1, 7.1 and even 22.2!
Media and Delivery
DaVinci Resolve 14 makes importing, syncing and organizing footage fast! Whether you’re going out to the web, tape, or theatrical distribution, DaVinci Resolve features everything you need to deliver projects in virtually any format! You’ll be able to get to work quickly and output files fast, so you’ll never miss a deadline!
Multi User Collaboration
DaVinci Resolve 14 completely redefines post production workflows! Assistant editors can prepare footage while editors cut the picture, colorists grade the shots, and sound editors mix and finish audio, all in the same project at the same time! You no longer have to waste time conforming and you no longer have to wait for a locked edit before starting color and audio work! That means picture editors, colorists, and sound editors can now work in parallel, leaving more time for everyone to be creative!
DaVinci Resolve Studio
The free version of DaVinci Resolve has all of the professional editing, legendary color correction and Fairlight audio tools you need for SD, HD and Ultra HD work at up to 60 frames per second. DaVinci Resolve Studio adds support for 4K and higher, along with frame rates up to 120 fps. It also includes dozens of additional image processing features and filters that are not in the free version. This includes film grain, temporal and spatial noise reduction, amazing new face enhancement tools, lens flares, lens distortion correction, optical quality blur and mist effects, match move, warping and much more!
Legendary DaVinci Quality
DaVinci Resolve’s Emmy™ award-winning image processing technology features deep 32-bit float processing combined with unique, patented YRGB color science that processes luminance independent of color. This allows you to adjust the luminance of video without rebalancing the color of your highlights, midtones, or shadows! The massive internal color space is perfect for the latest HDR and wide color gamut workflows, and lets you generate looks that are simply impossible to create on other systems!
Hardware Control Panels
When you have a client looking over your shoulder you need to work fast. DaVinci Resolve control panels are designed to give you fluid, hands-on control over multiple parameters at the same time, allowing you to create looks that are simply impossible with a standard mouse! All controls are logically placed near your natural hand positions and are made out of the highest quality materials. You get smooth, high resolution weighted trackballs, along with precision engineered knobs and dials that feature the perfect amount of resistance so you can accurately adjust any setting. DaVinci Resolve control panels let you instinctively touch every part of the image!
Fairlight Professional Consoles
Fairlight mixing consoles provide high quality tactile controls for nearly every parameter and feature in the software. Unique user interfaces and fast to use buttons and controls allow quick mapping of the console keys into a configuration that is optimized for the task at hand, allowing you to work faster with Fairlight audio than any other tool in the world! Desktop and free standing consoles are available in a variety of configurations to meet the needs of your facility.
• This software update includes over 50 stability and general performance improvements, and is recommended for all DaVinci Resolve 14 Studio users. DaVinci Resolve 14.2.1 Studio features better performance on the edit page while generating thumbnails, correct output of 5.1 and 7.1 WAV files, a more reliable progress indicator when generating optimized proxy media, over a dozen Fairlight audio improvements, better Multicam viewer performance, the ability to change multiple clip properties at the same time, new Power Window tracking indicators for frame mode, improved stability for rendering Cineform and H.264, faster ProRes encoding, faster XAVC-I decoding and much more.
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